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20121201
20121231
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, theater commentator for klaw. chloe worked for several years in u.s. and uk theater companies and is the recipient of the allen wright award for arts journalism, the sundance institute arts fellowship and the nea fellowship of journalism. in 2006, she received a best columnist nomination at the annual san francisco media excellence awards and her first book on acting was published by farber and farber in the uk and farber, inc., in the united states. let's welcome phillip and chloe >> hi there, phillip. >> hi, chloe >> so, this play, it's been quite a journey. we're talking 3 1/2 years, maybe nearly 50 different drafts and 5 workshops? . >> five workshops, yes. >> so, looking back at the journey, how has it been for you and has it come out as you expected it would? . >> what's interesting is if you work on a play this long, normally there are times that it becomes redundant and you get a little bored with the piece. it's only natural. it's pushing 4 years now. this one was interesting in that it never got boring or ever felt redundant and each thing that we did over these almo
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Search Results 0 to 3 of about 4 (some duplicates have been removed)

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